
Date: June 2004
Price: £2.99
Page Count: 52
Editor: Natalie Clubb
Stake Out
The news was slow this month, with Sarah Michelle Gellar explaining, as she already had, why she didn’t guest star on Angel during it’s final season. But rather than focus on the negative, let’s go with some of the positives this month held: Michelle Trachtenberg was following in her onscreen sister’s footsteps and was nominated for a Daytime Emmy for her presenting role on Truth or Scare. Seth Green set a date for Robot Chicken. Sarah Michelle Gellar booked a role in Southland Tales opposite Dwayne Johnson. And ‘Chosen’ came third in a poll of ‘The Greatest TV Series Endings”. The series was beaten by (2) The Office and (1) Blackadder Goes Forth.
Summers Over by Tara Dilullo
Michelle Trachtenberg gained fame as Buffy’s kid sister Dawn Summers on the last three seasons of Buffy the Vampire Slayer. But since the show ended last year, the ambitious actress had moved on to even bigger things, with two movies out this year, two more in production, an upcoming TV role and her own film in the works. The actress recently took time out between promoting her latest film, Eurotrip, dance rehearsals and ice-skating training to chat to Buffy Magazine about moving on from Dawn.








Kitten Caboodle by Abbie Bernstein
James C. Leary became a firm favourite on Buffy when he turned up as the kitten-gambling Clem in the Season Six classic-comedy episode, ‘Life Serial’. Buffy Magazine catches up with the loose-skinned demon to chat about kittens, Spike and the hazards of driving in latex…

One definition of a scene-stealer is someone who wasn’t intended to capture the audience’s attention but who becomes memorable anyway. This describes Clem, referred to simply as ‘Loose-Skinned Demon’ in Buffy Season Six’s ‘Life Serial’, who quickly evolved into one of the show’s best-liked recurring characters.
Clem’s popularity came as a surprise to actor James C. Leary. He remembers being called upon to reprise Clem a week before shooting the episode ‘Older and Far Away’. “I was shocked. I was flabbergasted! And, of course, I was extremely excited, because that time, I got to come back for a whole week and work with pretty much the entire cast.”
In fact, James was ecstatic to be cast on Buffy in the first place. “It was really kind of like a dream come true,” he admits. “It was a show that I had wanted to work on since I first came out to LA – it was on the top of the list of shows I wanted to work on, because for the first three seasons of the show, I never missed an episode, and the only reason I kind of lost track of it was because my son was born and that really drastically reduces your TV-watching time. I used to be a really big, big fan of the show.”
So, as a self-confessed fan of Buffy what is James’ favourite all-time episode? “My favourite, I think, is all of Season Two. My favourite episode I think would have to be ‘Hush’, but I thought the whole of Season Two was brilliant.”
Born in New York and moving with his family to Texas at 10, James says he always wanted to be an actor: “Pretty much from the time I was five I knew that that’s what I wanted to do,” he recalls. “I didn’t really understand that it was an actual ‘actor’ I wanted to be until probably later. In high school, I was involved in theatre all four years and then in college I took two years off to try and convince myself that acting wasn’t what I wanted to do, but in actuality, it was, so I got back into it in college.”
James worked in Chicago theatre for two and a half years, then moved to Los Angeles, where he was cast in a number of commercials. He spent two years on the Spanish-language sitcom Los Beltran (The Beltran Family), which was made somewhat challenging by James’ knowledge of Spanish: “I don’t speak a word,” he confesses. “I did it all phonetically. But it worked, because I played the token gringo on the show, so my atrocious accent actually helped the character.”
During this period, James was also called in to audition for Angel for ‘either a demon or a vampire, but it didn’t work out. I guess physically I wasn’t what they were looking for. A year later, Lonnie Hammerman called me in to read for the part on Buffy.”
There wasn’t much information about Clem at the audition. “When I read the scene, the only thing I had was that the character was the ‘Loose-Skinned Demon,’ James explains. “I don’t think they had any plans on bringing the character back at all. I know a lot of times on the show, they like to have a really freaky-looking demon talking and sounding like a human. So I just decided to kind of play it like myself. I got a lot of the funny lines and that’s right up my alley. I got brought right in to the producer session, and everybody was laughing and having a good time and it was just one of those days when everything was working out right.”
The schedule required that James jump right into working with the extensive demon make-up. “The first time they ever put it on was my first day of shooting. They had made a head cast of me and moulded my teeth to make fangs, and I had my eyes fitted for the contacts.” He wasn’t bothered about being covered in make-up. “Having the head cast made was a little freaky towards the end, but for the most part, it wasn’t bad. I did my yoga breathing. The whole face-piece is glued to my face, and then once it hits my chin, it pretty much hangs free, and then t connects again just below my collarbone.”
It took four hours to apply the make-up on that first occasion, but according to James, it got a lot easier after that. “It usually only took about two-and-a-half hours,” he says. “Todd McIntosh did it with an assistant.
“The demon poker game took about eight hours to shoot,” James recalls. “The scene was really self-explanatory with the script. That’s the great thing about the show – there are different ways to do everything, but the intent is always pretty clear in the writing and we just did a couple of rehearsals, and everybody got a few little tweaks here and there and we were done.”
However, not everybody was being professional: “The kittens kept trying to crawl of the table and they can’t hit their marks; they didn’t know their lines,” James laughs.
Although ‘;’Seeing Red’, the episode featuring the notorious scenes between Spike and Buffy, comes two episodes after ‘Two to Go’, James filmed the latter episode first. This was because Clem’s scene in ‘Seeing Red’ was written after ‘Two to Go’ was shot. “I think they came in a little short for time,” James explains, “and ‘Seeing Red’ was a very heavy episode and they wanted to interject a little comedic relief. They also wanted to give Spike a little bit of a chance to redeem himself, because I guess the way it was written, he came off very, very not nice, so they wanted to keep the character a bit sympathetic.
“I certainly had no idea what had happened in the scene before,” James explains. “I didn’t get the whole script – I just got my scene. So I think that kind of helped, because that’s really what the producers wanted – for Clem to be a little bit oblivious to how upset Spike was about attacking Buffy, and to just be like a sounding board for Spike.”

Acting in the make-up wasn’t difficult either. James reports: “Because the make-up is so great and so malleable, it wasn’t like I had to try hard to play an emotion. That’s the great thing about the make-up – it’s so expressive.”
Still, James admits, some action scenes were complicated. “It was very hard, in the scene in ‘Two to Go’ where I was doing the taste test on the potato chips to actually chew those chips with my fake teeth in and get out a line at the same time. I just tried to chew as fast as possible and hold it in parts of my mouth where it wouldn’t get in the way and swallow whenever I could.”
Likewise, Clem’s driving away from Sunnydale in ‘Empty Places” called for an extra degree of skill: “You try driving, trying to hit a mark with a car with big latex gloves and contacts and teeth, and get all your lines right and not hit the car in front of you! I never hit the other car, but that was one of the hardest things I have ever done.”
It would have been nice for Clem fans if he turned out to be driving south… “I was hoping Clem was going to visit his good buddy Lorne over in LA,” James admits. “I’d have liked to do a couple of episodes of Angel to prolong the experience.”
In the meantime, James has also become a coveted guest at Buffy conventions. “Conventions are like 48 hours straight of doing nothing but improv,” he laughs. “No, it’s a blast. You come into this environment where everybody’s excited to see you and genuinely getting a good experience out of this. It makes you feel good that you can give a little bit of joy to some people out there. I think that’s a big part of the reason why a lot of people become actors. I know it is for me – I like affecting people. In TV, you lose sight of that, because you don’t have a live audience, but when you get to go to these conventions, you get to see that you have made an impact on some of the people and that’s really cool. There have certainly been people who have really, really been touched by the show and have told me, ‘The show really helped me get through a rough year in my like, and your character really made me laugh, and I appreciated that,’ and that to me is the biggest compliment you can possibly get as an actor.”
Summing up his floppy-eared alter ego, James says: “I really think Clem is a good guy. I know there are discussions all the time about it – there are demons and vampires on that show who have more heart and soul than some of the humans on the show. Clem’s a lover, not a fighter. I think that’s one of the great things about the show: that appearances are deceiving and everybody’s different.
“I think Clem truly was just this goofball, nice, kind-hearted guy who just happened to have a penchant for eating kittens. He’s a dog guy.”
Future Stakes by Ian Spelling
Despite being deep in work on her new show, Still Life, former Buffy co-executive producer Marti Noxon found the time to answer a few pressing questions about the dearly-departed vamp show and what the future holds for Buffy…





Where Are They Now? by Tara Dilullo
Way, way back, before the First, Caleb, Glory and Dark Willow, there was the Master – the original Big Bad – who gave Buffy a taste of the villains she had yet to face.
The Master may have come to a dusty conclusion thanks to the Slayer, but actor Mark Metcalf is still going strong. We catch up with the man behind the creepy one to discuss his favourite moments on the set, and being the only vampire in the show’s history to have killed the Slayer…

As with every great tale, the story has to start somewhere, and in the case of Buffy the Vampire Slayer, her journey fighting evil in Sunnydale began with the Master. As the first ‘Big Bad’ of the show, he set the tone and standard for all the villains to come, and to this day he still remains a fan favourite. Brought to life by renowned character actor Mark Metcalf, the Master was a brash mix of unexpected wit and pure evil that became the only uber-villain to ever kill the Slayer – even if it was only temporary.
Reflecting back on his days plotting against the Slayer, Mark reveals, “I loved the part, but I didn’t think it would be a gigantic hit.” A veteran of stage, screen and television for three decades, he made his mark with memorable roles in projects like Animal House, Star Trek: Voyager and Seinfeld. When he got the script for Buffy in 1996, Mark was brought in to audition for the villain of the season, known as the Master. He recounts, “I was told later that the casting director brought me in as something they knew would be dead wrong for the part to try and get the producers focused on what they really wanted. It turns out the reading I gave got Joss Whedon and David Greenwalt thinking and they brought me back. I did it again and they decided to go with me.”
Creating the look and personality of the ancient vampire, dubbed ‘Fruit Punch Mouth’ by the crew long before it came up in the script, was a collaborative process that Mark relished helping to develop. “They were very flexible,” Mark explains, “F.W. Murnau and Werner Hertzog’s Nosferatus were both films I had seen and I thought were phenomenal. The vampire images were so clear and strong. Joss very clearly said he did not want the same kind of Master that Rutger Hauer played in the film version. He wanted more of a monster, but his vision was not the Nosferatu monster, so we worked together and made it reminiscent. Joss also allowed me to be light and a little campy with the role. You can tell in the text, it’s got a classic comedic build-up and rhythm, which allows you to walk the line between something more grey and something dark and purely evil, so you can generate a feeling of evil that people can tolerate.”

The Master’s overall blanched and bald look was also key in helping Mark slip into the role. “When they first built the make-up, it took five hours. They allowed me input on colours even though I am colourblind,” he chuckles. “The make-up was thin foam, which picked up gestures and enhanced the performance even more. Mask work can be very liberating because the degree to which you can animate yourself is limitless. It was a great time to be behind the mask.”
When asked to pick his favourite moments from the show, Mark is quick to respond. “There are several scenes throughout, like when I have a tantrum and I’m throwing things around, that was a lot of fun to do. I felt like I was acting. A lot of time you do TV and you don’t feel like you are acting in the way you were taught, but I was able to do that as the Master. The scene that is the most vivid is when Buffy comes down into my lair and we play that game of cat and mouse. I get goose bumps watching it again. I remember Sarah Michelle Gellar saying it was one of the scenes in the season where she felt she was doing something special.”
Soon after Mark was cast in the role, Joss revealed to him the Master’s arc for the season. “He told me I would be trapped for most of the season, but that I would open the Hellmouth in the last episode of the season and kill Buffy, and I thought, ‘Great!’ I walked away thinking the second season would have to be called Master, the Buffy Killer. He just didn’t tell me Buffy would come back to life and kill me,” he laughs.
Of course, as proven time and time again, death means nothing on a Joss Whedon show, so the Master returned three more times over the series in the episodes ‘When She Was Bad’, ‘The Wish’ and ‘Lessons’. “I had conversations with Joss about coming back and I was glad they came along, but I was sad they didn’t come along more often,” he says. “The last season, I was in the very first episode and I was supposed to do another one, bur I was doing a play so I wasn’t able to do it. I would have loved to do more.” But he was also pleased to explore more of the Master’s past in the Angel episode ‘Darla’. “It was a lot of fun to see him at the beginning and to get to work with Julie Benz, who is such a good actor.”
Mark now resides in Michigan with his family, where he owns the restaurant Libby Montana’s and continues to act, especially in theatre. “Theatre is the most fun. It’s live and immediate. Film and Television are fun because they give you a lot of money and you often get to go to some interesting places, but your work is ultimately taken out of your hands. For the last two years, I have been on the advisory board for First Stage Children’s Theater, which does plays for young audiences. Those experiences have been among the most satisfying of my career, because working with and for children raises the stakes. I’m teaching with them, and in doing that you itemise your methodology and it gets to be clearer for yourself and makes you a better actor.” He is also producing and developing new projects for the future, but he is quite proud of the recognition he continues to receive for his past roles. “It’s nice to find my roles are a big part of people’s lives, and I’ve been very lucky to have parts that have stuck in people’s consciousness.”
Welcome to the Hellmouth
Before the First, before the musical, before Angelus, there was the two-part Buffy premiere, In this special retrospective feature, members of the cast and crew look back on the birth pangs of a pop culture icon.






Classic Scene
Giles frightens Professor Walsh from ‘A New Man’.
Poster
Buffy and Spike.














