
Date: September 2002
Price: £2.80
Page Count: 52
Editor: Darryl Curtis
Stake Out
It was ‘Bath time for Buffy,’ the headline announced this month – and it wasn’t anything to do with the Slayer’s personal hygiene. After all, the Slayer is known to bathe quite often. No, some of the Buffy cast and crew were leaving America for the first time as the series came to Britain to film scenes for the Season Seven premiere. Where, in particular? The home and estate owned by Anthony Stewart Head of course, which would double this season for Giles’ country manor in England’s Westbury.
Not much was known about the shoot, but we knew it centred around Alyson Hannigan‘s Willow as she began her magical rehabilitation with Giles. This was awesome news all around, as it meant more of Giles in the seventh season than his small appearances in the sixth: “We’ve just worked out a deal,” Head said, with a smile. “A minimum of ten episodes. So I’m going to be doing a little more than I was last season.”
The new season would take us back to some familiar stomping grounds, as a new Sunnydale High was due to open its doors… “The reopening of the high school is where we’re starting,” Joss Whedon said. “It represents a lot of what we’re talking about in terms of getting back to the very first mission statement of the show, which was the joy of female power: having it, using it, sharing it.”
It was worth pointing out that Dawn was now the same age her sister was when the show started. Also, a report from one website claimed Mark Metcalf would be returning as the Master? This one seemed weird at the time…
Also announced: the news that remaining nerds Danny Strong and Tom Lenk were both expected to return for more episodes along with the much-missed Amber Benson… who wouldn’t be playing Tara.
Guess which fact was wrong there…

Other brief news this month included the notion that the superb Once More, With Feeling had been overlooked in the Emmys – but upon further investigation, this time it seemed to have been a complete accident and the episode was left off the voting list! The Award organisers tried to correct the problem in time for the ballot count, but it was too late, and Buffy missed out on what was almost guaranteed a sure-fire win on the night. Apparently, a last minute ballot was sent out – which apparently – and rather bafflingly – didn’t make a difference.
Also this month, getting something else wrong, was the announcement that Andy Hallett had been promoted to a regular on Angel and would be placed on the opening titles. However, this didn’t occur at the start of the season as planned… Lorne fans would have to wait a bit longer for that one…
Soul Man by Abbie Bernstein
We catch up with everyone’s favourite bleached vamp and find out what we have to look forward to straight from the recently ensouled James Marsters!

Flashback: July 2001. Filming on Season Six of Buffy is just getting underway. James Marsters says he doesn’t know what’s going to happen with his lovestruck vampire Spike now that the Slayer is coming back from the dead, but he’s sure of one thing: “Do I think that Buffy will ever reciprocate Spike’s affection? No. I think that he repels her. I think I’m totally beneath her.”
The present. About that quote…? “Boy, famous last words,” James laughs. “‘Wow’, is all I can say.”
‘Wow’ neatly sums up Spike’s Season Six storyline. At some points, he is beneath Buffy – literally speaking – during their tumultuous affair. After Buffy breaks off the liaison, insisting that she cannot love someone without a soul, Spike horrifies both Buffy and himself by attempting to force himself on the Slayer. Fuelled by self-loathing, Spike then goes to Africa, where he engages in a life-and-death battle that – as we learn in the last moments of the season finale – leads to Spike regaining his soul.
After all that, please don’t ask James where Spike is going from here. In fact, don’t even ask where he’d like Spike to go. “What I want for the character has no bearing on what’s going to happen. And thank God, because it’s much more interesting that way. You know, I have given up my preferences. What I want is usually less interesting that what happens. I learned this like three years ago. I wanted what I later figured out every actor wants, which is to beat up guys and kiss chicks. It always devolved back to what the actor wants for next season. He’ll give you some great storyline, with all of this sub plotting, but it will always come down to he will be kissing girls and kicking butt.. And that’s just not as exciting. Marti is paid to come up with stuff way more interesting than that. The characters get whiplashed. If you think of any character on our show, they don’t go through the same kind of experiences two seasons in a row. They have radically different journeys every year. At least for myself, it has been impossible to get bored. And so, like I told the writers – you may have heard this before – I feel like I’m on a rollercoaster where the first hump is scary and you’re screaming, but by the middle of the ride, your head is back, you’re laughing, and you don’t care any more where you’re headed. You’re just having fun.”
Okay, maybe there is one aspect of Spike he’d like to revisit: “I’d love to go evil one time,” James acknowledges. I would like to explore the opiate of violence once more.”
Despite his century-plus age, James thinks Spike hasn’t really grown up yet. “He wears his heart on his sleeve. He’s very immature for a vampire, really. He really is the youngest vampire I can think of. Most of them have some kind of perspective by now. You feel like they’re old.” He adopts a Christopher Lee baritone for a wise vamp utterance: “‘I’ve seen this before, Buffy.’ Spike has none of that,” James laughs, “He’s got the maturity of a 17-year-old!”
But for all his battles with Buffy, James says of Spike, “He’d probably willingly die for her. He’d be okay with that.”

With his California drawl and upbeat demeanour, James appears very different in real life from the caustic and tense English vamp he plays on screen. What goes into creating his TV persona? “It’s instinctual and not planned. I’m just responding to the words in the script. You read it and it’s a lot of work to get what resonates off that page, to actually imprint that on a piece of film. And that’s my job, that’s the trenches of acting. There is extraordinary power, I’ve learned, in the close-up. That you can say, ‘I’m gonna kill you’ in such a way as to mean, ‘I love you,’ and you can say ‘I love you’ in such a way as to mean, ‘I’m gonna kill you.’ That is my input – it’s what you see in my eyes. But as far as what the character goes through, the arcs of the character, the brush strokes, the things that more than anything define the character – those are the words. And those are not me.
“I have tried to learn the lesson that the camera is wanting something real to happen for the first time, wanting to document something real. And so my instinct for planning things doesn’t serve me in film. It serves me well on stage, but it’s too artificial on film. And so the best things that are happening in the performance are things that I’m not aware of. I call it ‘the sandlot.’ It’s the parameters of the situation. We ask the audience to suspend their disbelief, and there’s a way of working in which you suspend your disbelief as well and once you release yourself into that reality, you cannot make a mistake. It’s not about planning anything, because really, in your own sick little head, you’re really there and you really are Spike. And that’s what I’m trying for.”

Lilah’s Law by Joe Nazzaro
Buffy Magazine gets up close with Wolfram & Hart operative Stephanie Romanov (aka Lilah) for a peek behind the inner workings of the secretive law firm…
For the past three seasons, Lilah Morgan, the over-ambitious lawyer at Wolfram & Hart, has hatched countless schemes to destroy Angel and his companions. Thus far, those plans haven’t been entirely successful, even though she’s managed to bring Darla back from the dead, has sprung the monstrous villain named Billy from his Hellish prison, and arranged for Angel’s infant son to be captured.
Like her fictional counterpart, Stephanie Romanov is beautiful, charming and highly motivated, but she draws the line at working for demons (film and TV executives notwithstanding). And like Lilah, the Las Vegas model-turned-actress has had to work very hard to get where she is today. During a recent break from filming Angel, just hours before leaving for a modelling assignment in Hamburg, Germany, Romanov took some time out to talk about her work on the series.
How have things been ramping up in terms of Lilah’s role in this season?
Lilah is having a lot more to do, and this year, she’s taken over the Lindsey spot and they’re giving her a bit more of a back-story. It’s nothing that they’ve shared with me yet, more than what you see on the screen.
How do you actually see the character?
Now that I see where they’re actually taking her, it’s a little different than how I’ve always thought of her, but still along the same lines. I think I previously saw her as having had some kind of relationship with Angel in the past, and being completely fascinated by him, because she can’t have him. There’s a very thin line between love and hate, so if she’s after him this hard, there must be something there. I always play it that she has a little something for Angel, so whenever I’m in scenes with him, I always try to have my lips be a little redder, and put on red polish, whereas other times I don’t. I try to make those little separations so that it’s not anything that anyone would notice, but it’s fun to do. Also, I feel that she doesn’t really come from much of a family unit – maybe she started as an orphan or was shipped around a lot, so she never created any ties, and therefore it made it easier for her to adapt to the world she’s in now.
Having this backstory in your head must have made it interesting to do ‘Carpe Noctem’ where Lilah has the fling with the possessed Angel.
I thought she should definitely go for it! If she can’t have him, no one can, so she thinks she’s finally got her moment, and then finds out she really didn’t, which pisses her off even more.
It must be nice to know your instincts were on the right track, then.
Or maybe my instincts are why they went that way. Subliminally, the things I did within the scenes when we were together created a tension and a heat that made the writers want to play on it.
Do you know what’s going to happen to your character in advance, or do you have to wait until the next script arrives?
They never tell me, so I have no idea where the storylines are going. And since I’m not in every episode, they don’t send me the scripts I’m not in, so I don’t know what’s happened before. I just have to wing it from what I get, when I get it. Sometimes we don’t get the stuff until the night before, or you’ve got a big scene and you get a bunch of rewrites the night before.

How did you get this role in the first place? Was there a lot of competition?
Gosh, that was a while ago! This is my third season now, but right before auditioning, I’d just seen Angel for the first time the night before, and I got a call the next day that I had an audition for it, so that was an interesting coincidence. I thought it was just for one episode; I didn’t know that it was going to be a recurring character, so they didn’t tell me that would happen when I auditioned. I think what they wanted to see was power, and the way I played it when I actually got the job was more of a seduction with Angel but still powerful. Then they kept bringing me back, so they must have liked my choice. But I definitely made a conscious choice to do it differently than how I won the job, thinking it might make it more interesting to bring me back.
Most of your early scenes were with Christian Kane, who played your competition Lindsey McDonald. Did the two of you click right away?
Christian and I got along great, and I had a great time working with him. I think we both enjoyed playing antagonists to each other, and he always referred to us as ‘Boris and Natasha.’ So even though we were rivals, we were still part of the same team on the show, and personally, we couldn’t have gotten along better.
Do you have the same kind of chemistry this season with Daniel Dae Kim as Gavin Park?
It’s not the same, but we definitely have good chemistry and I like him a lot. It’s a different chemistry because he’s a different person, and that translates to the screen. I felt at first that they were tying to make our relationship similar to what mine and Christian’s was, but it just felt different than that to me. I try to joke around and be nice when we’re not filming, but I like to be pretty focused when we’re actually doing the work.
You don’t get a lot of scenes with the other regulars, do you?
Most of my scenes are either with Gavin or Angel, and in fact this is the first year that I ever had a scene with Cordelia. I’ve just done a scene with Gunn and Fred, and that was the first time I’ve been in a scene with them, but I was only sort of in the scene with them – it was taking place near me, but not with me. Sometimes I’ll see David or Charisma because we’ll be working on the same days but at different times, so I’ll see them but not work with them.
Now that you’ve been with Angel for three seasons, what personal highlights do you have from that time?
That’s a tough question. It’s hard to remember, because I tend to be someone who really lives in the moment. Most of my life is pretty much a personal highlight, and there are challenges and high points and low points. There have been a lot of times where I’ve felt really good about things on the set, and then you see it and don’t like the way it’s cut together. It’s hard for me to watch myself a lot of times, because I’m so dolled up on that show that I hardly recognise myself. So it’s hard for me to say what the highlights are. There are certain guest stars that I loved working with, and who I had fun with within the context of the scene.
Any particular guest stars come to mind?
Keith Szarabajka, the guy who plays Holtz. I had fun working with him, and I really enjoyed working with Jack Conley, who plays Sahjhan. I was actually watching an episode we did last night (‘Loyalty’), and there was one scene that I had so much fun with because I felt I made a different choice in it. That was interesting.
I wanted it to be business as usual, but I was also playing a chemistry between the two of us, so there were subtle things in there that were cut out, and that was a drag. But it was funny to see her with this monster guy, and they’re kind of flirting back and forth.
Do you have any other projects in the pipeline?
Well, it’s pilot season, and I’m leaving tonight on this modelling job, so you do try to fill things in and do different stuff. I think every actor’s journey is just to keep on working.
Where do you eventually see your work going?
It’s so hard to say, because everything that happens is magic and luck and timing, and you never know when that’s going to hit you. I recently got married, and that changes your life as well. So maybe some kids in a couple of years, hopefully some good movie roles, something that makes me proud.
The way I live life is basically to sit back, relax and enjoy the ride.
Turning on the Water Works by Rob Francis
Buffy writer and director Doug Petrie reveals that he is not as different from the nerds, underneath it all.




So, you want to write a Buffy episode? by Tara Anderson
Ever wanted to write your own episode for the Scooby Gang, If so, here’s some helpful tips!


Episode Spotlight
School Hard.
Comic
This strip is labelled as Out of the Hive, Into the Fire (Part 1), with material from Buffy the Vampire Slayer #34.
Poster
A Season Six promo of Michelle Trachtenberg as Dawn.
















